When we talk about the art and visual materials collection at the Harvard Law School considerable credit goes to Dean Roscoe Pound (dean 1916-1936) and librarians John Himes Arnold (librarian 1872-1913) and Eldon Revare James (librarian 1923-1943) for their work building the collection. However, the story of the collection dates back long before their time. In addition to the objects themselves, we are lucky enough to have supporting documents that provide important historical details about their acquisitions and early use.
A recent discovery that provides wonderful insight into early collecting efforts is a letter from Simon Greenleaf and Joseph Story to Chief Justice Lemuel Shaw (1781-1861) dated June 2, 1840. They write:
We are desirous of embellishing the Law Department of this Institution with likenesses of the distinguished Jurists of our country, of which we have commenced a collection: & having seen a striking likeness of yourself by Clevinger, we respectfully request you to place a copy of it at our disposal for that purpose.
For some context, the Law School, founded in 1817, had been housed in Dane Hall since the building was erected in 1832. In 1840 Greenleaf and Story, the Royall and Dane professors of law, were the school’s only instructors.
A similarly worded letter dated May 29, 1840, to an unknown recipient, can be found in the Greenleaf Papers. On the back of the page is written “Circular for busts”–perhaps this was a draft in preparation for letters like the one sent to Shaw.
Not all documentation comes in manuscript form. For example, we can verify where portraits were hung thanks to the above photograph of a classroom in Dane Hall, c.1880, showing one of the Law School’s John Marshall portraits, as well as portraits of Daniel Webster and Nathan Dane.
The full-length portrait of John Marshall (1755-1835) visible in the above mentioned picture (to the right of the desk) was painted by Chester Harding (1792-1866). Given to the school in 1847 by a group of faculty and students, the portrait is a replica of Harding’s full-length portrait commissioned by the Trustees of the Boston Athenaeum in 1830. Along with the portrait we also have a subscription list dated September 2, 1846, that includes the donors’ names and their pledged amounts. Our records indicate this subscription list was drawn up and circulated by Professor Greenleaf.
This is just a small sampling of some of the supporting documents we are aware of. We look forward to future discoveries that will help tell the story of this wonderful collection.